Adam Groves and Jeremy Fernando at The Arts House

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The Arts House

7:30pm

Friday, 21 April 2017

the didactic will be the discussion:

a conversation of poems …

If to converse is to be with, to be turning around with, whilst never necessarily agreeing, this is a being-with that doesn’t subsume, that never reduces the singularity of the ones in relation. For, as Jean-Luc Nancy reminds us in his foreword to Philippe Beck’s Poésies didactiques, « one needs separation, sending, address, and this in itself defines both poetry and teaching: the poem teaches ». Thus, it is no coincidence that the three in conversation — Beck, Adam Staley Groves, Lim Lee Ching — are teachers.

Which is not to say that they will prescribe, be prescriptive — far from it.

For, space is the beginning poem.

And the very space that is being cultivated, preserved, cared for, is that of the relation between the poem and the reader, between the readers reading the poems — even when the poems are written by the ones reading them — and the ones hearing the poems, listening to the conversation.

Between the poems — between poetry — and you.

For, « what must be said/ is not already spoken/ in the individual’s brain, / nor in the Collective, / but it is said because / of the conversation / which creates necessity / all around brains ».

POETS — READERS — SPEAKERS

Philippe Beck is a contemporary French poet, writer, and philosopher. He is Professor of Poetry at The European Graduate School, and of Philosophy at l’Université de Nantes. Interested in the nature of the poetic experience, for Beck, the poetic today lies not only between scientific experience and common sense experience but allows for their communicability — and his work traverses poetry, poétologie, prose, and philosophy. He has published sixteen books of poetry and was awarded the Grand Prix de Poésie from the French Academy in 2015 in recognition of his poetic œuvre.

Lim Lee Ching teaches literature and interdisciplinary subjects at SIM University, Singapore. He is the author of The Works of Tomas Tranströmer: The Universality of Poetry (Cambria, 2017), and has edited Peter van de Kamp’s 2010 collection of poetry, Scratch & Sniff. Ching’s poems have been published in One Imperative, as well as been collected alongside Geraldine Song’s works, To Thee Do We Cry, Poor Banished Children (2013), and Semoga Bahagia (2015). Ching is the founding editor of The Singapore Review of Books.

Adam Staley Groves is the author of two complete volumes of poetry, Filial Arcade and Poetry Vocare. An individually published poem “Etui” was recently adopted to a contemporary classical music composition through Gaudeamus, in The Netherlands.

MODERATOR

Jeremy Fernando is the Jean Baudrillard Fellow at the European Graduate School, where he is also a Reader in Contemporary Literature & Thought. He has written eighteen books; and has been translated into French, Japanese, Italian, Spanish, and Serbian. He is the general editor of the thematic magazine One Imperative; and is a Fellow of Tembusu College at the National University of Singapore.

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This event is brought to you by Voilah ! 2017 French Festival and Delere Press, in conjunction with The European Graduate School, and is supported by The Arts House.

A Dialogue with Minister Tan Chuan-Jin: ​Social Inequality

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17 JAN 2017, 6.30PM (EVENT IS SOLD OUT)

Mr Tan Chuan-Jin entered politics in 2011 as a part of the Marine Parade GRC. He was awarded the SAF Overseas Scholarship to complete his BSc (Econ) at the London School of Economics and Master of Arts in Defence Studies at King’s College London. He also holds a Master in Public Management at the Lee Kuan Yew School of Public Policy, NUS.

In his political career, he has held positions such as Senior Minister of State at the Ministry of National Deveopment, Minister for Manpower, and his current position as the Minister for Social and Family Development.

Mr Tan will share insights on how Singapore’s social policies are conceived to tackle our social inequality challenges. This is to foster greater understanding of social inequality from a public policy standpoint. Tembusians will also be able to engage Mr Tan in a dialogue to question, clarify, or suggest on issues related to his portfolio.

Fellow’s Tea with Mr. Low Kee Hong

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Tembusu College Fellow’s Tea

Mr. Low Kee Hong

4pm, Thursday

16th February 2012

Master’s Common Lounge,

Level 3, Residential Block

Refreshments will be served.

Only 30 seats available!

Please register at dev-tembusu-nus.pantheonsite.io

Kee Hong is currently the General Manager of the Singapore Arts Festival. Over the last three decades, the Festival organized by the National Arts Council, has played a symbiotic and catalytic role in development of the artistic and cultural life of Singapore. The Festival saw its turning point in 2010 as it embarked on a new phase of development under the leadership of Kee Hong. Key changes and initiatives include turning this international arts platform into a Creation and People’s Festival and a year-long participation program, commune to sustain the Festival’s engagement with the public beyond individual shows staged during the Festival period.

Formerly, Kee Hong was the General Manager of the Singapore Biennale, developing it from its inception in 2006 to the largest international contemporary visual arts platform in Singapore.

Kee Hong is also an active scholar, holding a Masters in Sociology with on-going research interests in cultural policy, urban planning and architecture, performance studies, vernacular and contemporary culture and arts of Southeast Asia.

Work In Progress Seminar with Assoc. Prof. John Phillips

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Topic: Pop Music (John Cage, Elvis and 2NE1)
Speaker: Assoc. Prof. John Phillips

Abstract:
This talk is an overview of the meaning of the “popular” in the evolving context of pop music from the early days of the twentieth century to the present. The word popular, implying the communal, practical and often political activities of a people, has evolved during more than a century of rapid media development. I aim to show why there exist invariable principles behind what may be called the pop music event (e.g., Frank Sinatra, Elvis Presley, Dusty Springfield, Bob Marley, Utada Hikaru, S Club7, 2NE1). The talk puts critical theory to work with a selection of pertinent cases to show the argument of the book I am currently writing.